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What are the minimum system requirements? Once you have selected your RAW clips and you hit import you need to select which Library you want that transcoded media to go to.
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You can batch copy the same settings to multiple shots if required. What you need to be aware of is these parameter settings will be different depending on the type of RAW files you are using. Prior to the transcoding, you can change such parameters as white balance, ISO, exposure, and white balance tint. Here you can choose the transcoding codec, resolution, and color space. Once you select a RAW clip you will see an image preview of that clip and then you will see the Transcoding parameters options on the right-hand side. Once selected, you get a file browser window, an image preview window, and a Transcoding parameters window. Once you have Color Finale Transcoder installed you can find it once you are inside FCP at the top of the interface. It also does let you preview RAW clips and make adjustments to parameters prior to transcoding. In saying that it does make for an easier solution if you are an FCP user and don’t want to do your transcoding in another program. It is simply a transcoder tool that can be used within FCP. Now, this isn’t some magical piece of software that allows you to deal with native BRAW, ARRI RAW, and CinemaDNG files directly within Final Cut Pro.
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#COLOR FINALE TORRENT PRO#
According to the company, Color Finale Transcoder is the extension that lets you streamline your workflow by importing camera RAW files directly into the Final Cut Pro timeline. Color Finale Transcoder is now available to download.